The article attempts to make several interventions. Following Jamie Sexton’s work on Independent Horror, it revisits the vexed status of horror within American Inde- pendent Cinema. Not only is indie horror frequently omitted from discussion of American Independent Cinema, but low budget, direct-to-DVD and video-on-demand indie horror titles are frequently omitted from academic discussions of horror. This has the effect of skewing our understanding of the genre. From there the article moves to consider a specific subgenre of indie horror that has been gaining in popularity: the Quiet Horror film—a category that contains the sub-genre of indie-Gothic films. Lastly, the paper moves on to a close reading of a specific low budget indie Gothic title, Absentia.